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Fine Arts 110
History of Western Art, 1Midterm - SUBSTANTIALLY CHANGED
Mary Prevo, Instructor
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Identification of image includes: title,
culture or period, medium, date. For some works, we know the maker,
either an architect or sculptor.
The midterm will be a series of short essays on Greek art from the Geometric Period to Fifth-Century Classicism. The essays will be comparisons drawn from the list below. To study for the midterm, review your notes, the text, and the objects listed in this study page. Think of how the works relate to one another either by subject, technique, patron, or composition. I will also be looking to see if you pull in examples from the earlier cultures we have covered. So review the quiz review pages. I'll be looking to see if you can remember that the plan of the Greek temple is based on the Mycenaean megaron, or if you remember that the Greeks probably learned their tradition of free-standing figural sculpture from the Egyptians. Or that the style we call Orientalizing includes designs from Assyrian and Bablyonian art. Comparisons To write a successful comparison, first identify the works of art so you are sure where they fall in relation to one another. Are they contemporary? From the same place? Then ask yourself, "What does this comparison illustrate?" Example: Khafre, from Giza, Old Kingdom, Egypt, diorite,
c. 2570 BCE
To nail the comparison, you should state explicitly that the comparison illustrates the differences between a ka statue for a ruler and a ka statue for a common person during the Old Kingdom in ancient Egypt. Use specific elements of the two sculptures to illustrate this general statement. For example, the more expensive and permanent material used for the Pharaoh. How do they sit? What do they hold? Geometric Greek Art
Orientalizing Art
The Archaic Period
The Transitional or Early Classical Period
Fifth-Century Classical Greek Art
Fourth Century Classical Greek Art
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| Art in General | Architecture | Sculpture | Geography/culture |
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patron maker or artist style abstraction stylized iconography form composition space, mass, volume perceptual (optical) representation conceptual representation
proportions monumental roundel
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plan section load-bearing wall corbel corbelled arch post and lintel menhir henge column
base, shaft, capital lotus capital ziggurat mud-dried brick glazed brick citadel palace complex pyramid mastaba rock-cut tomb temple complex hypostyle hall clerestory peristyle court obelisk
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sculpture in the round relief sculpture high relief low relief sunken or negative relief register ground line votive figure |
Paleolithic Neolithic Bronze Age Iron age
Fertile Crescent Gilgamesh cuneiform writing city-state empire Egypt, Upper and Lower Ka serdab Horus Isis Osirus necropolis hieroglyphic writing cartouche city-state papyrus mummy Book of the Dead
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| Questions? maryp@hsc.edu Office: Winston Hall, Lobby left | P.O. Box 843 Hampden-Sydney, Virginia 23943 USA (434) 223-7057 |