Summer 2003
Myth and Meaning FOR 106
Professor: Janice Siegel, office STV 203F
jfsiege@ilstu.edu
http://lilt.ilstu.edu/drjclassics
10:25-1:15 MTWR
STV 308
PREREQUISITE: none
REQUIRED TEXT: Morford and
Lenardon, Classical Mythology 7th ed., Oxford 2003
GENERAL DESCRIPTION: This
is an intensive course offering not only the basics of classical (Greek and
Roman) mythology, but also of various interpretive theories of myth. Step
One is for us to learn the stories from the primary sources (in translation
from Greek and Latin) for classical mythology, i.e., the literature, art,
archaeology and architecture of (mostly) ancient Greece. We will learn that
unlike us, the Greeks did not consider mythology to be separate from
science, philosophy, religion, or even politics – it was all wrapped up
together, an integrated life view. Step Two will be to try to understand
what these myths meant to the Greeks. Why was mythology such an
integral part of their culture? And Step Three will be to figure out why
mythology survived long after other aspects of Greek culture, including
their polytheistic religion, fell away…to trace its influence in the art
(painting, sculpture, decorative arts, music, dance, film, etc.) and
literature of all the cultures in the western tradition in the ages ever
since. When you are done with this course, you will wonder how you ever got
along without it – not a day will pass by without your seeing the influence
of Greek mythology in your own culture. The study of classical literature
enriches are lives in many ways – this is just one.
COURSE OBJECTIVES:
1. To learn the myths of the
Greeks and Romans: readings from primary literature.
2. To understand the myths of the
Greeks and Romans: origins, nature, categories (myth, legend, folktale) and
functions (e.g., aetiological, charter, etc).
3. To understand the
representation of individual, cultural, political, and sexual identity in
myth.
5. To learn about Greek myth in the context of Greek culture: topography,
archaeological sites, history, religious festivals (e.g., the Olympics), the
importance of competition
4. To become acquainted with some
major theories of myth interpretation (e.g., myth in ritualism,
structuralism, functionalism, feminist, psychoanalytic, etc.).
5. To recognize mythological
themes in art, literature, music, film, cartoons.
6. To become familiar with
correspondences between the classical myths and those of other cultures
(e.g., Native American, Norse, Egyptian, African, etc.)
TENTATIVE COURSE SCHEDULE
You’ll be expected to have the
“assigned reading” completed for that day’s class:
WEEK
1
Monday, June 16
Introduction catch-up later: pp 3-50
Tuesday, June
17 Creation chapter 3:
51-75
Wednesday, June 18
Zeus’s Rise to Power: chapter 4: 76-107
The Creation of Mortals
Thursday, June
19 The Twelve Olympians:
chapter 5: 108-127
Zeus, Hera, and Children
The Nature of the
Gods chapter 6: 128-146
WEEK
2
Monday, June
23 Poseidon, Sea Dieties… chapter 7: 147-156
Athena chapter 8: 157-169
Tuesday, June
24 Aphrodite and Eros chapter 9:170-199
Wednesday, June 25
Artemis chapter 10: 200-225
Apollo chapter 11: 226-256
Hermes chapter 12: 257-273
Thursday, June
26 Dionysus chapter 13:
274-306
Demeter chapter 14: 307-327
WEEK
3
Monday, June
30 Realm of Hades chapter 15:
328-353
Orpheus and
Eurydice chapter 16: 354-369
Tuesday, July 1
Mycenaean Saga chapter 18: 404-435
Wednesday, July
2 The Odyssey chapter 20:
482-504
Thursday, July
3 Perseus chapter
21: 505-518
WEEK
4
Monday, July 7
Heracles chapter 22: 519-547
Tuesday, July 8
Theseus chapter 23: 548-571
Wednesday, July
9 Jason/Medea/Argonauts chapter 24: 573-601
Thursday, July
10 Roman Mythology and Saga chapter 26: 623-663
COURSE RULES:
1. Attendance is mandatory. And
don’t be late. In this intensive summer schedule, missing one day is the
same as missing an entire week of an ordinary semester. Miss one day, you
will be grievously behind. Miss two days, you risk failure. Miss three days,
you guarantee failure of the course. Class readings are only springboards
for our class discussions. I will not waste class time going over facts, but
discussing context and interpretations with you. Much of the course material
you will be held responsible for will be presented in class via slides,
films, etc. We have a smart classroom and we’ll use it! Daily quizzes will
check to see that you did your homework. Don’t fall behind.
2. The good news is that class
will be fun!
3. For every day’s class, come
prepared. This means a) that you read the assigned pages and b) that you
think about what you read. So please do come, be involved in class
discussion, and enjoy yourselves.
4. Get into the habit of checking
the class webpage every day:
http://lilt.ilstu.edu/drjclassics. Then go to ISU
CLASSES, MYTHOLOGY
EVALUATION
PROCEDURES:
QUIZ AVERAGE (80%) FINAL
PROJECT (20%)
Both the quiz average and the
final project must fulfill a minimum standard. In other words, you need a
passing grade in each to pass the class.
Quizzes: Because of the
nature of our class, and the intense focus of every day’s work, there will
be a small quiz EVERY DAY to keep you on task. You will be responsible for
the plot of every tale in the reading, as well as keywords I will point out.
The format will be a mixture of objective questions (true/false, multiple
choice, fill-ins) and short answer. Your QUIZ grade will be an average of
these daily quizzes.
Final Project: You will be
required to hand in a final project for the course. The choice of your topic
and medium of presentation is up to you. It must be well researched but also
include interpretation unique to you. Topics could include following a
particular mythological theme through time to see how its reception changed
and why, comparing the ancient art concerning a theme to its presentation in
modern art, tracing the classical influences in a modern piece of literature
or a film, etc. You MUST have your topic approved before you start. I
can help you attain the proper scope, and provide you with resources.
Or, you can be
creative and apply what you have learned to writing your own myth (if you
like to write), or putting a new twist on an old myth in a poem or short
story (recast it in terms of time and place, but keep the intrinsic themes)
or creating your own piece of art (if you like to draw, sculpt, etc.), or
film your own home movie. You can make a webpage, or a flash movie. The
opportunities are endless. Again, your project MUST be approved
before you begin.
You have
to learn a bit about myth before you can choose your topic. Topic choices
are DUE June 30 so I have time to approve them and get you headed in the
right direction. I will hand out a FINAL PROJECT sheet with specific
requirements (length, research expected, etc.) as the time approaches.
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